Posted - 2020/05/25 : 19:08:48
Ok had a run through it now and i pretty much think this is Hardcore heaven 6 ( for the first disk and 50% kinda pop music ) not as attractive a title i know but it's bloody sad state of affairs when HARDCORE underground submits to the 160 Bpm crowd. We are truely f**ked.
I'll be over there listening to Re-style and korsakoff not because i'm going off Uk hardcore but because no one makes it anymore.
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remain calm do not be alarmed do not attempt to leave the dancefloor
quote:Originally posted by kazukism92:
So, since HU does have problems to ship stuff to Chile for a long time. Anyone wants to help me to cover this album?
PS: the tracklist for Disc 1 seems to be madness, Disc 2 mid upfront, mid known. Anyone did take care that Hit 'Em Like This is appeared once again.
Posted - 2020/05/26 : 09:55:38
Just bought it and the Chwhynny artist album. Just going through the HH6 CD2, looks like there are quite a few older / already released tracks. Shame as I was hoping for new music
Posted - 2020/05/26 : 12:49:05
Looks like one of the files is corrupt as i can't open or rename it. And the Chwhynny deluxe download appears to be missing a track!
Posted - 2020/05/26 : 16:47:22
both discs are 160?
I think it's pretty clear the 160 route is clearly not the way forward. Really, really disappointing.
As Vladel stated, I definitely would have went / featured some re style / faster like music, which is far more fitting and more likely to entice a larger crowd. I don't get why once again , the appeal is geared toward an unpopular and rather dull side genre.
Posted - 2020/05/26 : 16:52:28
Having listened to the Disc 1 previews up on Soundcloud, I won't be rushing out to buy this (although I will do eventually just to add to the collection of HU albums). 20% of the disc is remixes of old tracks and I personally don't think any of the remixes improve on the originals.
On a side note, I am willing to bet my left testicle that Maxi Malone uses Fracus to, at the very least, engineer his tracks.
Alert moderatorEdited by - robertybob on 2020/05/26 16:53:02
Posted - 2020/05/26 : 17:21:41
Listened the previews (some) but I can say that
Disc 1: Sick stuff, updates or VIP from the last decade. Fresh collaborations and more Fracus & Darwin as stand alone. Miss it.
Disc 2: 160 BPM BANGERS, I only hope that could be mixed at 165 or 170 due "Chasing The Sun" anthem.
quote:Originally posted by trippnface:
both discs are 160?
I think it's pretty clear the 160 route is clearly not the way forward. Really, really disappointing.
As Vladel stated, I definitely would have went / featured some re style / faster like music, which is far more fitting and more likely to entice a larger crowd. I don't get why once again , the appeal is geared toward an unpopular and rather dull side genre.
The first disk is 170bpm and disk 2 is around 60% 160 Bpm
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remain calm do not be alarmed do not attempt to leave the dancefloor
Posted - 2020/06/01 : 22:50:48
Purchased and listened to a few times over the weekend. It's the same story as with a few previous HH's - Fracus & Darwin disc has a selection of outstanding original tracks mixed in with some tired remixes we keep hearing over and over again. And of course, disc 2 is just underwhelming as has been the trend for a while now. I will say this though; because I'm not sure that many people actually realise it, but each previous version of Hardcore Heaven (including this one) has featured a different artist on CD 2 each time and that's perfect because I don't think they've found that standout artist yet who should prominently feature alongside F&D. Can we have Jakazid next? Despite my criticisms I do still believe it's the best Hardcore compilation out there today. Overall, an above average entry in the Hardcore Heaven series.
quote:Originally posted by Alex Threat:
Looks like one of the files is corrupt as i can't open or rename it. And the Chwhynny deluxe download appears to be missing a track!
I downloaded the Chwhynny album yesterday and the deluxe component is missing two tracks: I Am and Still I Am.
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Producers and record labels, please stop "loudness war" mastering everything. It sounds terrible.