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Mickey Init
Advanced Member
United Kingdom
770 posts
Joined: Oct, 2012
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 Posted - 2020/03/06 : 00:55:48
Hi all,
Does anyone know what the bitrate is of the unmixed tracks on these albums?
I?m curious about the HTID ones but would really like to know about the Hardwired tracks.
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"Like bread to marmalade... Vinylgroover with the crossfade!" - MC Freestyle
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Samination
Advanced Member
Sweden
13,179 posts
Joined: Jul, 2004
195 hardcore releases
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Posted - 2020/03/06 : 04:03:51
bitrate?
If you're talking about the CD's, I presume they are at least CD quality? (although HTID1 did have vinyl rips)
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Samination, Swedish Hardcore DJ
Happy, UK Hardcore, Freeform, Makina and Gabber
http://samination.se/
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Mickey Init
Advanced Member
United Kingdom
770 posts
Joined: Oct, 2012
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Posted - 2020/03/06 : 13:53:19
Yes, sorry, talking about CDs.
Why not bit rate? I specifically mean sound quality.
I?m curious because my latest sennhieser earphones are quite tinny.
__________________________________
"Like bread to marmalade... Vinylgroover with the crossfade!" - MC Freestyle
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Samination
Advanced Member
Sweden
13,179 posts
Joined: Jul, 2004
195 hardcore releases
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Posted - 2020/03/06 : 15:05:35
Audio CD (unless it's Super Audio CD, which I doubt no Hardcore album is) is always set to 1411 kb/s, but that never showcases the true quality of anything. As shown by HTID1 CD2 being basically a CD filled with vinyl-rips
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Samination, Swedish Hardcore DJ
Happy, UK Hardcore, Freeform, Makina and Gabber
http://samination.se/
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Impulse_Response
Advanced Member
United States
724 posts
Joined: Jun, 2013
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Posted - 2020/03/06 : 22:11:57
quote:
Originally posted by Samination:
Audio CD (unless it's Super Audio CD, which I doubt no Hardcore album is) is always set to 1411 kb/s, but that never showcases the true quality of anything. As shown by HTID1 CD2 being basically a CD filled with vinyl-rips
Is that why some of them sound so weird, like Field of Dreams? I assume some of them were digitally sourced though because they sound too good, like Come Together and Reach For Love.
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Producers and record labels, please stop "loudness war" mastering everything. It sounds terrible.
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